"She was unbound in the Carter, dispelling any notion of Carter as dry or academic. She proved her full range - technically, expressively, and with a great sense of uncovering for the listener why this music is important."
Luosha Fang completely characterized each of the six movements of Ligeti’s Sonata for Solo Viola, from the lyrical “Hora lungǎ,” with its quarter-tones and natural harmonics high on the C string, to the final “Chaconne chromatique,” whose angst-ridden harmonies she balanced with graceful lilt.
"The most flamboyant soloist was Luosha Fang, mostly interested in a dialogue with the orchestra and the audience, moving around the stage like an actor..."
"Recitals tend to be constructed to show off the recitalist - this piece for technical flash, that one to highlight a capacity for expressivity and thought.
But for her Philadelphia recital debut Sunday afternoon at the Trinity Center, violinist Luosha Fang assembled ideas to bounce off one another."
"Between Moffett's spirited leadership of that concerto and Luosha Fang's blazing violin solos on the concluding Fourth, this proved a terrific coming-out party for some of the young guest musicians (...) in the SPCO this season...."
"The style was set by the refined, pleasingly subdued playing of the violinist, Luosha Fang..."
"For me the high point of Monday evening was Mozart's F major String Quartet, K. 590 (...) Believe me, you won't hear better Mozart playing that what came off her (Luosha Fang) violin..."
"... Luosha Fang, 25, of China, unlike others who played it, made Paganini's most famous 24th Caprice a nuanced tool for expression, revealing it in interesting new layers."